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Assignment 3'(Homework ) Arch 101

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Architectonics of embodiment When we see the title of the study we imediately think of embodiment as an essential part of the research. Focusing on "The Architectonics of Embodiment" by Vesely. Since the very beginning is stated that the relation of the body to architecture and the complex phenomenon of corporeality have always had a privileged position within the history of European culture. Supporting this statement we have examples of authors regarding Vitruvius period,who compare the human body directly to the body of a building, and all the other authors which have focused and referred to the human body and propotions. The most critical aspect of the role of the body in understanding reality is the relation between the body and that which truly exists.Thereafter, the body is used to designate not only conceptual but also material reality. Referring to Plato we saw that he considered the body not as a given or something that can be isolated or defined as an entit
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We can easily distinguish and classify types of design is in term of the sense e.g as visual, auditory or audiovisual. Attention must be given to the frames of reference, to whether the development is mostly in two or three dimensions of space or in time. VISUAL 1-                  1-   Visual, static, surface design This type of design can be represented on a flat, curving or polyhedral surface. Its components are: line, color and texture. According to this components there are distinguished some types of design such as arabesque, which involves intricate linear development with or without representational meaning. In this category there is a subdivision: a)        a) Strip design b)        b) Bounded-area design c)          c) Allover design a)        Strip design This design is long and narrow such as ribbons, borders or architectural moulding. It is extended in one dimension, lengthwise. The basic component is called unit, which is repeated or prolonged in eith
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